As for the music "posthuman" necessary for Japan is a different matter. Guru is the so-called japanoise Merzbow (Masami Akita ), who, since 1979, the intensity of pure noise overwhelming and impossible to describe in words. Unlike many compositions ultranoise, which can evoke images and shocking abounding symbolic and esoteric, the noise from Merzbow is an end in itself. This allows us to explore the details of noise filters without ideological or intellectual. We are at posthumanism more "pure." Try watching the movie Tetsuo . The Ironman (1989, which could even be the symbol of the film posthumanism): the soundtrack would fit precisely to Merzbow. Of note is the Hijo Kaidan, ranging from punk to metal using the noise as a glue. Remain famous for their improvisational performances for throwing at the public foul sewers and amplifiers, and before some shows have been decline all liability for injuries and / or dead! By the '90s, the power-noise assume original features and increasingly extremist. There are many groups or "one-man band" who assist the Merzbow: the Incapacitants (89), the Violent Onsen Gheisha (from '90), and the incredible The Gerogerigegege (sado farm-and Onan). Also debuted the collective CCCC including the dancer and performer sado-masochistic Butoh, finally Solman and Aube .
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